Friday, December 20, 2019

Lighting and Themes in 127 Hours - 1071 Words

There are plenty of films based on a true story and various ways to use lighting as a part of Mise en Scà ©ne to make all of those films seem more realistic or in sometimes unrealistic whichever is the director’s and cinematographer’s take on the story. Danny Boyle’s take on Aron Ralston’s true story of cutting his arm off to live has been to make it as realistic as it possibly can be. The film was shot on and off set, mostly in constructed set of the canyon where Aron Ralston, portrayed by James Franco, was trapped with his arm pinned between a large boulder and the canyon wall. The scene of which lighting and themes this essay will discuss about starts from the point where James Franco’s character has just freed himself and starts running†¦show more content†¦Josef von Sternberg has said that â€Å"the proper use of light can embellish and dramatize every object† (Josef von Sternberg as quoted in Bordwell 2010, p. 131). As much as the lighting in this scene is used to state Franco’s character’s state of mind it is also used to dramatize the scene and character’s struggle. This applies throughout the whole film and not just in this particular scene. Lighting intensifies Franco’s character’s facial expressions as well as during his run through the canyon the lighting is darkened and more shadowy most of the time to create realistic condition but it also adds the feeling of length to the run. In the part of the scene where the character is running through the canyon the lighting changes constantly between darker and lighter. It is darker when he struggles and lighter on the easier parts of the distance between his trap and freedom. In the shots that are taken in the canyon the light is colder than in the ones that are taken outside. The fill light is used to soften the contrast of shadows on characters face while he is in the canyon (Pramaggiore and Wallis 2011, p. 111). For the first half of the scene, placed in the canyon, light is constantly coming from above as sunlight between the cracks of the earth to the canyon. Franco’s character also keeps looking up to the sunlight after he has been freed from his trap. The character has done that many times before in the film as desperately hoping to be free and now heShow MoreRelatedGeneric Codes Of Indie-Thriller Film Print Advert Campaigns1856 Words   |  8 Pagesamongst the text. For example, on the poster for the film Whiplash, the 2014 indie thriller film starring Miles Teller, and J.K Simmons; the background of the poster is a vintage orange colour, giving the feeling of the old fashioned, poignant, jazz themes in the film, the colour is also not bri ght, and alerting, separating this from the major films, giving it more creative connotations, like the music featured in the film. Furthermore, there are analytical opportunities in the poster. As the drumstickRead MoreThe Great Gatsby By F. 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